Section 1. Short title
This Act may be cited as the Capital, Repairs, and Employment for Art Talent to Improve Visibility Everywhere Act of 2025 or the CREATIVE Act of 2025.
Section 2. Grants for keeping artists on the job
Title II of the Public Works and Economic Development Act of 1965 (42 U.S.C. 3141 et seq.) is amended by adding at the end the following:
(b) Prohibition on multiple awards
An eligible entity may not receive more than 1 grant under subsection (a).
(c) Application
To be considered for a grant under this section, an eligible entity shall submit an application to the Secretary at such time, in such manner, and accompanied by such information as the Secretary may require. At a minimum each application shall include the following:
(1) The type of grant for which the entity is applying from among the grant types described in paragraphs (1) through (3) of subsection (a).
(2) A description of the specific purposes for which the entity proposes to use the grant, including, as applicable—
(A) examples of productions, projects, performances, exhibitions, workshops, or programs that may be—
(i) housed at a facility supported by the grant; or
(ii) produced by employing professional performers and related or supporting professional personnel artists or staff members supported or employed by the grant; and
(B) the perceived benefits that such productions, projects, performances, exhibitions, workshops, or programs provide to professional performers and related or supporting professional personnel, and the communities served by the eligible entity.
(3) A description of the level of access to arts facilities and programming in the communities served by the eligible entity and, if applicable, identification of any disparities or gaps in such access.
(4) A explanation of how the entity conducted, or intends to conduct, outreach and acquire input from the community in which the grant funds will be used, including input from, low-income individuals, individuals with disabilities, and other under-represented individuals in such community that are underrepresented in the creative sector, as well as arts labor organizations.
(5) A description of any input received as a result of the outreach under paragraph (4).
(6) A description of the steps the board or other appropriate overseeing body of such eligible entity has taken to ensure that governance of the organization includes representation from individuals described in paragraph (4).
(7) A description of—
(A) the level of community need for the activities proposed to be carried out with grant funds; and
(B) the extent to which such activities will be supported by additional funds from the community and other sources.
(8) If applicable, a comprehensive plan describing how the eligible entity will continue to operate any facility supported by the grant after the grant funds have been expended, including how the eligible entity will continue employing or facilitating employment for professional performers, writers, artists, and related or supporting professional personnel.
(9) An attestation that the eligible entity will not abrogate existing collective bargaining agreements for the entire duration of the grant period.
(10) An attestation that the eligible entity receiving a grant will abide by the labor standards of professional performers and personnel and guarantee to provide healthy and safe working conditions under section 5(m) of the National Foundation on the Arts and the Humanities Act of 1965 (20 U.S.C. 954(m)).
(11) An attestation that the eligible entity receiving a grant will provide or facilitate gainful employment for professional performers and related or supporting professional personnel.
(12) Any other information or assurances the Secretary determines appropriate.
(d) Priority
In awarding grants under this section, the Secretary shall give priority to eligible entities that meet 1 or more of the following criteria (with higher priority given to eligible entities that meet more than 1 such criteria):
(1) The eligible entity is located in a community with limited access to high-quality arts productions, projects, performances, exhibitions, or programs, which may be indicated by—
(A) the community having 1 or fewer facilities for hosting arts programming;
(B) the presence of an arts facility in the community that is in state of disrepair, a physical state that is not conducive to regularly host arts programming, or in need of infrastructure upgrades necessary for fully accessible workplaces for professional performers and related or supporting professional personnel with disabilities; or
(C) the presence of an arts facility in the community that has canceled, paused, or reduced the length of a production season during any of the 3 years preceding the grant application.
(2) The eligible entity proposes to use the grant to employ professional performers and related or supporting professional personnel and to expand arts productions, projects, performances, exhibitions, workshops, or programs from linguistically and culturally diverse populations who are considered ethnic, cultural, religious, or linguistic minorities and whose art is underrepresented in popular culture.
(3) The eligible entity demonstrates no-fault financial hardship, limited support from State and local government sources, or a level of income insufficient to self-fund the activities for which the grant is sought.
(4) The eligible entity proposes to use the grant to employ professional performers and related or supporting professional personnel and to host or produce arts productions, projects, performances, exhibitions, or programs that, if applicable, provide insight and perspective on current or historical events or local or regional economic issues.
(5) The eligible entity is not a recipient of another grant under this title and the entity has not previously received a grant under this title.
(6) The eligible entity proposes to use the grant to improve access to arts productions, projects, performances, exhibitions, or programs for people with disabilities, or to hire professional performers and other related or supporting professional personnel.
(7) The eligible entity is located in a rural community.
(8) The eligible entity provides individual artists and groups of artists with the opportunity to display or produce projects, performances, exhibitions, workshops, or programs.
(9) The eligible entity proposes to use the grant for a purpose that furthers arts education in the community in which such funds will be used.
(e) Supplement, not supplant
An eligible entity that receives a grant under this section may use the grant only to supplement, and not to supplant, funds made available from non-Federal sources to carry out the activities supported by such grant.
(f) Accountability
The Secretary shall regularly review the activities of eligible entities receiving grants under this section to ensure that such entities are using the grant for the purposes for which it was provided and are otherwise in compliance with the requirements of this section.
(g) Treatment of unexpended funds
Funds received by an eligible entity under subsection (a) that are not expended within the allowable period specified in such subsection shall be returned to Secretary unless the Secretary makes a written determination that the entity may continue to expend the funds after the expiration of such period.
(1) In general
On an annual basis during each year of the grant period, an eligible entity that receives a grant under this section shall submit to the Secretary a report that includes a description of the following:
(A) How the grant funds were used in the year covered by the report.
(B) The effects, in the immediate term and over the remaining period of the grant, of the activities supported by the grant with respect to—
(i) increasing access to arts facilities and programming within the community served by the eligible entity;
(ii) reducing disparities in access to such facilities and programming in such communities; and
(iii) providing or facilitating full-time gainful employment for professional performers and related or supporting professional personnel.
(C) To the extent applicable, how the grant has or will be used to—
(i) increase work opportunities for professional performers and related or supporting professional personnel;
(ii) improve an existing facility’s ability to host or produce high-quality arts productions, projects, performances, exhibitions, or programs;
(iii) contribute to the construction or acquisition of a facility to host or produce high-quality arts productions, projects, performances, exhibitions, or programs, and if acquisition or construction of such facility is complete, how the facility has been able to host or assist in the production of such programming;
(iv) support increasing the number of high-quality arts productions, projects, performances, exhibitions, workshops, or programs from linguistically and culturally diverse populations who are considered ethnic, cultural, religious, or linguistic minorities and whose art is underrepresented in popular culture; and
(v) improve access to arts productions, projects, performances, exhibitions, or programs for artists with disabilities and other people with disabilities or to improve an eligible entity’s ability to employ professional performers and related or supporting professional personnel with disabilities.
(2) Public availability
Not later than 180 days after receiving a report under paragraph (1), the Secretary shall make the report available on a publicly accessible website of the Economic Development Administration.
(i) Definitions
In this section:
(1) Arts labor organization
The term arts labor organization means an organization which is exempt from tax under section 501(c)(5) of the Internal Revenue Code of 1986.
(2) Eligible entity
The term eligible entity means—
(A) a local arts agency;
(B) a museum; or
(C) any other nonprofit arts organization, including literary arts organizations, performing arts organizations, and professional nonprofit theaters, that is described in section 501(c)(3) of the Internal Revenue Code of 1986 and exempt from taxation under section 501(a) of such Code.
(3) Museum
The term museum has the meaning given that term in section 273(1) of the Museum Services Act (20 U.S.C. 9172(1)).
(4) Professional nonprofit theater
The term professional nonprofit theater means a nonprofit arts organization that is described in section 501(c)(3) of the Internal Revenue Code of 1986 and exempt from taxation under section 501(a) of such Code that—
(A) produces live choral, dance, musical, theatrical, operatic, orchestral, symphonic, or variety performances;
(B) compensates all professional performers and related or supporting professional personnel at no less than the prevailing minimum compensation under 20 U.S.C. 954(m);
(C) hosts events that are produced and managed by paid employees and not volunteers;
(D) has a minimum of a 3-year history of programming prior to applying for a grant under this section;
(E) has not violated any laws enforced by the Department of Labor, Equal Employment Opportunity Commission, National Labor Relations Board, or equivalent State agencies in the 3 years prior to applying for a grant under this section; and
(F) is not engaged in a strike, lockout, or other labor dispute at the time of applying for a grant under this section.
(5) Rural community
The term rural community means a community in an area that is not designated by the Bureau of the Census as an urbanized area or urban cluster.
(7) Secretary
The term Secretary means the Secretary of Commerce.